{"id":17,"date":"2025-01-11T17:09:05","date_gmt":"2025-01-11T16:09:05","guid":{"rendered":"https:\/\/qugu6220.odns.fr\/?page_id=17"},"modified":"2026-02-24T12:29:42","modified_gmt":"2026-02-24T11:29:42","slug":"info","status":"publish","type":"page","link":"https:\/\/www.celiabchir.com\/index.php\/info\/","title":{"rendered":"Information – fr"},"content":{"rendered":"\n
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\u00e0 propos<\/strong><\/h6><\/div>\n\n\n\n

artiste pluridisciplinaire bas\u00e9e entre paris et marrakech, C\u00e9lia Bchir d\u00e9veloppe une pratique \u00e0 la crois\u00e9e du cin\u00e9ma, de la photographie et des arts plastiques. <\/p>\n\n\n\n

son travail questionne et explore des r\u00e9cits intimes et collectifs et tisse de possibles analogies entre des r\u00e9alit\u00e9s qui coexistent.
Le s\u00e9quen\u00e7age, au c\u0153ur de sa d\u00e9marche, lui permet de cr\u00e9er des interstices o\u00f9 images, textes et artefacts entrent en dialogue.<\/p>\n\n\n\n

ces assemblages transforment ses impressions en une mat\u00e9rialit\u00e9 tangible, o\u00f9 les \u00e9l\u00e9ments r\u00e9colt\u00e9s cherchent \u00e0 susciter une r\u00e9sonance sourde, un \u00e9cho entre son travail et celui qui s\u2019y confronte.<\/p>\n\n\n\n

<\/div><\/div><\/div>\n\n\n\n
contact<\/strong><\/h6><\/div>\n\n\n\n

@issilya<\/a>
contact@celiabchir.com<\/a><\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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publications<\/h6><\/div>\n\n\n\n

carnet 8, les cahiers des aba<\/a> | douze exemplaires, 2024<\/p>\n\n\n\n

one family photobook<\/a> | exemplaire unique, 2024<\/p>\n\n\n\n

sortir au jour<\/a> | deux exemplaires, 2024<\/p>\n\n\n\n

<\/div><\/div><\/div>\n\n\n\n
distinctions<\/h6><\/div>\n\n\n\n

mention sp\u00e9ciale – rencontres photographiques face \u00e0 la mer, 2024 \u21c0 tanger, MA<\/p>\n\n\n\n

\u2028\u20281er prix, concours Les vies qu’on m\u00e8ne<\/em> – tendance floue | forum vies mobiles, 2022 \u21c0 paris, FR\u2028\u2028<\/p>\n\n\n\n

most controversial audience award pour saison calme<\/a> – queersicht filmfestival, 2021 \u21c0 bern, CH\u2028\u2028<\/p>\n\n\n\n

grand prix du jury pour .virginie<\/strong><\/a> – ch\u00e2lon tout court, 2014 \u21c0 ch\u00e2lon-sur-Sa\u00f4ne, FR<\/p>\n\n\n\n

<\/div><\/div><\/div>\n\n\n\n
expositions solo<\/h6><\/div>\n\n\n\n

eaux troubles – 4M2 galerie<\/strong><\/a>, 2021 \u21c0 paris, FR<\/p>\n\n\n\n

<\/div><\/div><\/div>\n\n\n\n
expositions collectives<\/h6><\/div>\n\n\n\n

restitution travaux – atelier +, ateliers beaux-arts, 2024 \u21c0 paris, FR<\/p>\n\n\n\n

<\/div><\/div><\/div>\n\n\n\n
diffusions<\/h6><\/div>\n\n\n\n

saison calme<\/a> – amazon.com<\/strong><\/a> | vimeo<\/strong><\/a> | amazon.co.uk<\/strong><\/a> | amazon.de<\/strong><\/a> | kubweb media<\/a> <\/strong>| nqv media<\/strong><\/a> \u21c0 en diffusion<\/p>\n\n\n\n

<\/div><\/div><\/div>\n\n\n\n
parutions<\/h6><\/div>\n\n\n\n

bref, de l’art d’\u00e9clairer le r\u00e9el <\/strong><\/a>– n\u00b0127, 2022 | saison calme dans le portfolio d’\u00c9milie Noblet<\/p>\n\n\n\n

well behaved<\/strong><\/a> – n\u00b03, 2022 | publication d’une photographie extraite de la s\u00e9rie la r\u00e9manence du silence<\/p>\n<\/div>\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/a>\n\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\n\n
liens<\/a><\/h6><\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00e0 propos artiste pluridisciplinaire bas\u00e9e entre paris et marrakech, C\u00e9lia Bchir d\u00e9veloppe une pratique \u00e0 la crois\u00e9e du cin\u00e9ma, de la photographie et des arts plastiques.  son travail questionne et explore des r\u00e9cits intimes et collectifs et tisse de possibles analogies entre des r\u00e9alit\u00e9s qui coexistent.Le s\u00e9quen\u00e7age, au c\u0153ur de sa d\u00e9marche, lui permet de cr\u00e9er des interstices … Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-17","page","type-page","status-publish"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"david.musnik@gmail.com","author_link":"https:\/\/www.celiabchir.com\/index.php\/author\/david-musnikgmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"\u00e0 propos artiste pluridisciplinaire bas\u00e9e entre paris et marrakech, C\u00e9lia Bchir d\u00e9veloppe une pratique \u00e0 la crois\u00e9e du cin\u00e9ma, de la photographie et des arts plastiques.  son travail questionne et explore des r\u00e9cits intimes et collectifs et tisse de possibles analogies entre des r\u00e9alit\u00e9s qui coexistent.Le s\u00e9quen\u00e7age, au c\u0153ur de sa d\u00e9marche, lui permet de cr\u00e9er des interstices\u2026","_links":{"self":[{"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/pages\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":63,"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"predecessor-version":[{"id":839,"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/pages\/17\/revisions\/839"}],"wp:attachment":[{"href":"https:\/\/www.celiabchir.com\/index.php\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}